After several months of bending backwards and focusing his eyes upward while painting the Sistine Chapel, Michelangelo developed severe eyestrain. He could only read or look at drawings at arm’s length, above his head.
After several months of bending backwards and focusing his eyes upward while painting the Sistine Chapel, Michelangelo developed severe eyestrain. He could only read or look at drawings at arm’s length, above his head.
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